Friday, 25 March 2011 16:52

The 'Kurile Islands': How Far Do They Stretch?

Yakov Zinberg is a lecturer in International Relations at Kokushikan University in Tokyo, and North East Asia regional editor for Boundary and Security Bulletin (IBRU, Durham University, UK). He has published extensively in Japan's territorial issues in English and Japanese. In this interview he discusses Political power transition in Japan and the Northern territories issue.


Thursday, 24 March 2011 22:39

A Möbius Strip of knowledge

This article below is Grant McCall's full paper: Mapping and unmapping the Pacific –nesias. Thoughts to turn over on a flowing Möbius Strip of knowledge. The paper was prepared to accompany the speech he gave on Feb.16th at National Central Library, Taiwan.


Thursday, 24 March 2011 22:10

Locating a promise land: from Taiwan to Oceania, from History to Literature

The young scholars session at the Mapping and Unmapping the Pacific conference held at the National Central Library, Taiwan gave three promising young scholars the chance to present their highly original work. Yedda Wang was part of a group of Asian students invited by Leiden University's Encompass program to study the history of Asia through Dutch colonial archives. She is a scholar trying to break through Western academic traditions and find her own way. In her speech Yedda introduced her past and current thesis projects and gave anecdotes lamenting the obstacles to her own historical direction.

Alternative (for readers in China)

Taiwan and Oceanian islands share quite a few things in common. In text-based fields such as history (archives) and literature (literary works), one is provided with ample examples of such points of convergence. Islands from both regions are plagued with colonial memories, though of different spans and under different powers; indigenous peoples from both regions consisting of many languages and cultures are mostly non-literate and thereby represented by others but themselves in written materials; and since mid-20th century, locally-born scholars, writers, activists et al. start to challenge in multiple ways the danger of stories produced not entirely from within but undoubtedly about them. The fact that these dots of land share such a diversity of both colonial and postcolonial experiences holds great promises to historical and literary studies especially on such themes as the transformation of indigenous societies, representation, identity, agency, the other, the writing of history et cetera. In other words, there is a promise land of convergence to be located. Based upon the same author’s previous studies in Leiden, this essay intends to show how history and literature in combination may contribute to the understanding Taiwan and Oceania, and how this understanding of Taiwan and Oceania, either taken as separately or symbiotically, may further enlighten about certain abovementioned themes.

The Stranger-King

In history, Wang’s research into Indigenous-Dutch relationships on 17th-century Formosa invites readers to reconsider a concept as the Stranger-King, developed in Oceania, for the explanation of colonial relationships:

Alternative (for readers in China)

Notions of time

Alternative (for readers in China)

In literature, Wang’s study of Patricia Grace (Maori) and Syaman Rapogang (Tao) stresses how contemporary indigenous writers, with their eyes on present post-colonial indigenous societies, have provided insights into the study as well as the writing and rewriting of the other. Their craft is worthy of consideration and their products can very well be the sources for historical studies. For an indigenous society, the past is never far from the present. A dialogue between colonial history and contemporary indigenous literature will therefore help us locate the promise land.

Photo: Lee Tian-hsiang



See Yedda's article about Lanyu author Syaman Rapongan, A subaqueous loner

Wednesday, 23 March 2011 17:17

Celebrating Connections among our Sea of Islands

Noai e mauri:  Noaia e mauri is how we greet each other on Rotuma, a Polynesian island 300 miles north of Fiji, and my original homeland. This greeting literally translates as “Thank you for your life.” Let me change that to “Thank you for your lives”, all of you attending this important conference. Your presence brings much prestige, and your knowledge has enriched, and will continue to enrich, our discussions at this conference.

I want to thank the organizers and funders for bringing us all together, from far and near, and for all their hard work in putting together this landmark event. I also want to thank June Lee in particular. She has been in touch with me over several months now, and I must admit to being impressed by her negotiation skills. Without her tenacity, efficiency and diplomatic skills, I wouldn’t be here. June – Faiaksia, which means thank you, in the Rotuman language.

In this short presentation, I want to reflect upon the work and the words of the late Professor Epeli Hau`ofa of Tonga, the man whose job I have now inherited. In my opinion, Epeli was, and still is, the most influential thinker in the field of Pacific Studies for the past twenty years or so. He didn’t write all that much – a comic novel, a collection of satirical short stories, a slim volume on his research, and a number of essays – but whatever he wrote was remarkable because of its perceptive and inspired visionary take on Oceanic life. Although his fiction is more entertaining than his other works, I want to highlight his essays, most of which have been published under the title: We are the Ocean: Selected Works.

Alternative (for readers in China)

If you are not familiar with Epeli’s writing, I would encourage you to buy yourself a copy of We are the Ocean and read it before you go to bed at night, and as soon as you get up in the morning. I did that last night and this morning as well, and I am the better for it. But be careful, it is the kind of book that could possess you, which is what happened to me this morning. My alarm went off, I jumped out of bed, showered, and got ready for breakfast, only to realize that my iphone was still in Fiji time, and that the correct time in Taiwan was 1 a.m. Yes, one in the morning. So what was I to do? All dressed up and nowhere to go. I took out my speech, and in rereading it, found myself rewriting it like a man possessed by Epeli’s spirit. Well, they say in parts of Polynesia that around two or three in the morning is when the spirit world is most active, and I can vouch for that. According to my abstract, I was supposed to talk more about the arts, but Epeli wanted me to talk more about himself (how could I refuse the man?) Epeli took me in a different direction. But being a spirit he knows more about what our needs are in this conference than I do and I am quite happy to be guided by him.

I should remind you that Epeli passed away about two years ago now, and that I get no royalties for recommending his book. Just in case you are wondering . . .

In 1997, Epeli founded the Oceania Centre for Arts and Culture at the University of the South Pacific in Fiji. Epeli’s vision for the Centre is that it would become a safe and protected space where artists – painters, dancers, woodcarvers, sculptors, and musicians particularly – could come together to create original works of art without fear or prejudice. Thirteen years later, the Centre has acquired a reputation for the development, creation, and promotion of innovative and original art, particularly in the area of contemporary dance, music, and painting. It has also grown in terms of its physical and human resources, and now it has become a vital and dynamic Centre, not just at USP but increasingly for the rest of Oceania as well.

Owned by 12 nations within our Sea of Islands, a phrase made popular by Hau`ofa in his influential essay of the same title, USP is one of only two universities in the world (the other being the University of the West Indies) that can be said to be truly regional, with 14 campuses spread out over an ocean that covers one-third of the earth’s surface. Students at USP are drawn mainly from USP’s owner countries -- Samoa, Tonga, Fiji, Vanuatu, Solomon Islands, Marshall Islands, Niue, Tokelau, Cook Islands, Kiribati, Nauru, and Tuvalu – and the result is a very diverse student body.

It is no surprise then that since its humble beginnings in 1968, the creation of a regional identity at USP, instead of a narrow and nationalistic one, has always been a challenge. Ugly incidents of brawls between certain ethnic groups, such as Tongans versus Samoans, ultimately led to USP’s leaders abolishing its once popular Pacific Week when cultural groups on campus performed their dances and demonstrated aspects of their cultures with pride and sometimes with defiance. Today, although ethnic dances can still be seen on campus and students still tend to hang out and socialize according to their own cultural groups, the ugly brawls of former years seem to have disappeared. Instead, what has emerged is a regional identity, based firmly on traditional cultures of our ancestors, but free of their shackles, as well as those of former colonial powers. This has come about mainly because of efforts to encourage students to form social groups according to interests rather than culture.

Leading the creation of this regional identity was, and is, the Oceania Centre where students from different ethnic backgrounds can be seen working and playing together. The Oceania Centre therefore provides a model for the creation of identities that are open and fluid, instead of closed and unchanging.

Taking its cue from the vast and ever flowing Pacific Ocean whose waters wash and crash “on the whole Pacific Rim from Antarctica to New Zealand, Australia, South East and East Asia, and right around to the Americas,” the Oceania Centre in Fiji draws its inspiration not just from within Oceania, but also from East and West. In Hau`ofa’s words, the Oceania Centre promotes the kind of identity “that transcends all forms of insularity島國性質, to become one that is openly searching, inventing, and welcoming.”

Hauofa’s vision focuses on the vast ocean, and not on the small islands that our colonizers and our detractors tell us are too small and will always be dependent on the largesse of larger nations. By encouraging us to mentally shift our perspective, Epeli liberates our minds to recognize that the world of our ancestors was as vast as the Pacific ocean and that Oceanians traversed its highways long before the arrival of Captain Cook.

It is in this spirit of expansion that we welcome and launch the Taiwan Society for Pacific Studies, the newest Pacific Studies organization in the world. Like a new canoe that has taken years to build and has just been completed, the Taiwan Society for Pacific Studies is about to leave the safety of land and venture out into the wide open ocean, where seas can be rough, and the weather stormy. This, however, is a journey that our ancestors took thousands of years ago when they left these shores and ventured out to find new and unknown lands in what we call today the Pacific Ocean. Our ancestors must have been brave men and women, for there was so much more that was unknown then than is the case today. But this doesn’t mean that this new journey is going to be less difficult, because like all long canoe journeys, successful arrival at destination will depend on careful preparation and planning, physical and intellectual prowess, and when necessary, sheer determination and tenacity when the seas become rough and hurricanes or cyclones threaten to destroy the canoe and every brave person on it.

On the eve of your departure into the blue continent, may I make a few suggestions that might help you on your maiden voyage. Please take whatever you feel might be useful, and discard whatever you feel will only burden and weigh you down. And since you want your canoe to skip along the surface of the Ocean blue with speed and ease, let me suggest then that you take with you just three baskets of sand. I call these baskets of sand because in our mythology, it was sand poured on rock that created Rotuma.

Please fill your first basket, let’s call this the responsibility basket,  with this quote from Epeli’s essay titled “The Ocean in Us” in which he wrote: “Our most important role should be that of custodians of the ocean: as such we must reach out to similar people elsewhere in the common task of protecting the sea for the general welfare of all living things” (55). It is this feeling of responsibility toward the Ocean that led Epeli to use the term Oceania instead of Pacific for the name of his Centre. Given our sea-faring heritage, I think we would agree with Epeli’s emphasis on the importance of the ocean to all of us, particularly now that sea-level rise has become an issue of pressing concern.

In your second basket, let’s call this the inheritance basket, and this is a big one, please fill it with this quote, from Epeli’s essay titled “Pasts to Remember”: “To remove a people from their ancestral, natural surroundings or vice versa—or to destroy their lands with mining, deforestation, bombing, large scale industrial and urban developments, and the like – is to sever them not only from their traditional sources of livelihood but also, and much more importantly, from their ancestry, their history, their identity, and their ultimate claim for the legitimacy of their existence. It is the destruction of age-old rhythms of cyclical dramas that lock together familiar time, motion, and space. Such acts are therefore sacriligeous and of the same order of enormity as the complete destruction of all of a nation’s libraries (think Library of Congress), archives, museums, monuments, historic buildings, and all its books and other such documents” (75).

In your third basket, let’s call this the identity basket because it deals with the arts, this is what Epeli wrote in his essay titled “Our Place Within”:  He wrote: “We begin with what we have in common and draw inspiration from the diverse patterns that have emerged from the successes and failures in our adaptations to the influences of the sea.  From there we can range beyond the tenth horizon, secure in the knowledge of the home base to which we will always return for replenishment and revision of the purposes and directions of our journeys. We shall visit our people who have gone to the land of diaspora and tell them that we have built something: a new home for all of us. And taking a cue from the ocean’s everflowing and encircling nature, we will travel far and wide to connect with oceanic and maritime peoples elsewhere, and swap stories of voyages we have taken and those yet to be embarked on. We will show them what we have created; we will learn from them different kinds of music, dance, art, ceremonies, and other forms of cultural production. We may even together make new sounds, new rhythms, new choreographies, and new songs and verses about how wonderful and terrible the sea is, and how we cannot live without it. We will talk about the good things the ocean has bestowed on us, the damaging things we have done to them, and how we must together try to heal their wounds and protect them forever.”

These three baskets-- baskets of responsibility, inheritance, and identity-- will be enormously helpful as you carry out research in Oceania and among Oceanians, people of the sea. When you make landfall, pour these baskets liberally on the rocks along the coastline, and new islands will form.

Let me conclude then with Epeli’s observation that the ocean connects us all, you here in Taiwan, to the rest of us in the Pacific, and that at one time, before our colonizers arrived and carved up the Pacific into Melanesia, Micronesia, and Polynesia (leaving out Taiwan altogether), and required us to have passports and visas before we travelled among our sea of islands, our ancestors traversed the seascapes like highways that connected one island to another.

Epeli exhorts us to free ourselves from colonial thinking, and reconnect with the larger reality of our seafaring ancestors whose world was anything but small: This is his conclusion to the most influential essay in Pacific Studies ever written. Titled “Our Sea of Islands”, this is what Epeli wrote in his conclusion:

“We are the sea, we are the ocean, we must wake up to this ancient truth and together use it to overturn all hegemonic views that aim ultimately to confine us again, physically and psychologically, in the tiny spaces that we have resisted as our sole appointed places and from which we have recently liberated ourselves. We must not allow anyone to belittle us again, and take away our freedom.”

Thank You again for your kind invitation to address this esteemed gathering tonight. I look forward to the rest of this conference, and to everything else you have planned for us during this time we have together.

Ma ta ma maria’ ma of sia. And that is the end of my speech.

 

 


Wednesday, 23 March 2011 10:09

Music as a Marker of Human Migrations

Debate on the question of how and why music varies cross-culturally was recently reawakened by the provocative claim that traces of the ancient migration of anatomically modern humans out of Africa can be heard in contemporary songs (Grauer 2006). Grauer‟s claim drew on data from the landmark Cantometrics Project (Lomax 1968), which remains the only global scientific study of human song. At the time, Lomax‟s causal interpretation of the correlation between culture and music – for example, male dominance causing nasal singing – was highly criticized even by other members of the Cantometrics Project (e.g., Erickson 1976).

While Grauer‟s recent migratory interpretation avoids Lomax‟s pitfall, many of the original criticisms of the Cantometrics Project resurfaced in skepticism about music‟s time-depth as a migration marker (e.g., Stock 2006). Could the acoustic surface of music really reflect ancient connections between cultures? If so, are these reflected in performance features (“singing”) or in the structural features (“song”) traditionally emphasized in Western musicology?

Lomax himself was highly critical of the use of Western musical notation in ethnomusicology, which he saw as emphasizing surface structural features at the expense of deeper performance features. He spent his life developing a performance-oriented approach that was concerned “not with songs abstracted from the stream of vocalizing we encountered on the tapes, but with the stream itself, with „singing‟” (Lomax 1980). Nevertheless, the Cantometric classification scheme that Lomax and Grauer (1968) developed contained roughly equal numbers of features devoted to “songs” and “singing”.

Our own view differs from both Lomax‟s and his critics‟ in that we propose that the structural features of song should have the greatest time-depth to track migrations, especially when applied to group performance in choral songs. Our reasoning is that structural features such as melody, texture and form require greater consensus among singers than the more idiosyncratic variation that goes into performance, such as timbre or ornamentation. Hence, features like scales and rhythms should be more stable over time than features like nasality or rubato.

These claims are testable. As a case-study to examine music‟s time-depth in the context of human migrations , we have examined the traditional choral music of the aboriginal tribes of Taiwan, who have been well-studied in terms of music, genetics, and migrations. (Loh 1982; Trejaut et al. 2005; Diamond 2000). Our primary aim, therefore, was to use existing information about the relative patterns of genetic and musical similarity among the Taiwanese aboriginal tribes to empirically test for the first time whether song structure or singing style has the time-depth required for studying human migrations. Our basic method was to compare music – a marker of unknown time-depth – against the best available marker with a well-established time-depth, namely mitochondrial DNA (Oppenheimer 2004).

METHOD

Participants

Of the 14 officially recognized tribes of Taiwan, eight had a sufficient number of both genetic and musical samples to permit comparative analysis: Amis, Bunun, Paiwan, Puyuma, Rukai, Saisiyat, Tao (Yami), and Tsou.

Materials

Genetics: Partial mtDNA sequences for 531 individuals from these eight tribes were taken from the dataset of Trejaut et al. (2005).

Music: YW and SB obtained 364 traditional songs from these eight tribes from commercial and archival ethnomusicological recordings. Restricting our sample to adult, choral songs left 222 songs for analysis. Sample sizes were: Amis=56, Bunun=31, Paiwan=28, Puyuma=32, Rukai=33, Saisiyat=14, Tao=13, Tsou=15.

Procedure

Distances between samples: Pairwise distances between individual a) genetic, and b) musical samples were calculated based on the number of pair-wise differences between a) mtDNA nucleotide sequences, and b) Cantometric classifications. This is the simplest possible distance measurement, as it makes no evolutionary assumptions about how those differences arose. We reserve more complicated methods that incorporate models of musical and genetic evolution for future studies.

Cantometric classification of the songs was done by VG. Two separate musical distance-matrices were calculated: one using the 15 song-structure characters from Cantometrics, the other using the 14 singing-style characters (see Figure 1 for details about these features). Eight Cantometric characters related to instruments alone were excluded from this analysis.

Distances between populations: For both genetics and music, the 28 possible pairwise distances among the 8 tribes were calculated using an Analysis of Molecular Variance (AMOVA) framework (Excoffier, Smouse, and Quattro 1992). These distances were measured using a statistic called FST, which represents the proportion of variability among individual samples that is due to among-population differences. Thus, it explicitly incorporates within-population heterogeneity, avoiding the assumptions of within-

population homogeneity that plagued Lomax‟s original statistical methodology (e.g., Henry 1968; Leroi and Swire 2006).

Figure 1. Organization of the 15 song-structure (red) and 14 singing-style (blue) Cantometric classification features used in this analysis. Note that our method focuses on the vocal component of the music and therefore ignores 8 classification features related to instruments.

Correlations: The statistical significance of the correlations between musical and genetic distances was tested using the permutation-based Mantel test (Mantel 1967) using 10,000 permutations, with the threshold for significance set at p < 0.05 (one-tailed). This test controls for the fact that the 28 pairwise distances among the eight tribes are not independent of one another.

RESULTS

Correlations between genetic and musical distances were highly significant (see Figure 2), suggesting that patterns of genetic similarity among the 8 tribes were matched by corresponding patterns of musical similarity. This observation makes a strong case for music having an ancient time-depth in analyses of human migrations.

To examine the “song” vs. “singing” comparison, the two panels of Figure 2 show the correlations between genetics and either song structure (Panel A) or singing style (panel B). Both correlations were significant. However, features of song structure accounted for twice as much variance in genetic distance as did features of singing style (song structure: r2=0.27, singing style: r2=0.13).

Figure 2. Scatterplots of the 28 pairwise genetic and musical distances among 8 Taiwanese aboriginal tribes. Genetic distances (y-axis) are based on an Analysis of Molecular Variance (AMOVA) of 531 mitochondrial DNA haplotypes. Analagous musical distances (x-axis) were calculated from 222 traditional choral songs using Cantometric characters of either A) song structure or B) singing style (i.e., performance). Statistical significance of distance-matrix correlations is based on Mantel‟s (1967) test.

DISCUSSION

Our main finding was that musical similarities among the 8 tribes were significantly correlated with genetic similarities. This provides the first empirical support for Grauer‟s (2006) claim that music has the time-depth required for use as a marker in studying prehistoric human migrations. Consistent with our predictions, the correlations with genetics were stronger when calculated using features of song structure compared to singing style, contrary to Lomax. However, the differences between these features were not nearly as striking as we had predicted. The simplest interpretation is that both singing and songs are useful as migration markers, which makes the overall case for using music as a marker even more persuasive. It allows for a pluralism of musical features that Lomax discounted, most especially with regard to structural features.

Our findings in Taiwan lend strong provisional support for music‟s time-depth in the case of a relatively recent (~6,000 years ago) migration. Whether music‟s time-depth reaches as far back as Grauer‟s Out-of-Africa claim, however, remains an open empirical question.

 

References

Diamond J. (2000). Taiwan‟s gift to the world. Nature, 403, pp. 709-710.
Erickson E.E. (1976). Tradition and evolution in song style: A reanalysis of Cantometric data. Cross-Cultural Research, 11, pp. 277-308.
Excoffier L., Smouse P.E., and Quattro J.M. (1992). Analysis of molecular variance inferred from metric distances among DNA haplotypes: Application to human mitochondrial DNA restriction data. Genetics, 131, pp. 479-491.
Grauer V. (2006). Echoes of our forgotten ancestors. The World of Music, 48, pp. 5-59.
Henry E.O. (1976). The variety of music in a North Indian village: Reassessing Cantometrics. Ethnomusicology, 20, pp. 49-66.
Leroi A.M. and Swire J. (2006). The recovery of the past. The World of Music, 48, pp. 43-54.
Loh I. (1982). The tribal music of Taiwan: With special reference to the Ami and Puyuma tribes. Ph.D. dissertation: University of California Los Angeles
Lomax A. (1980). Factors of musical style. In S. Diamond (ed.), Theory & practice: Essays presented to Gene Weltfish (pp. 29-58). The Hague: Mouton.
Lomax A. (ed.) (1968). Folk song style and culture. New Brunswick: American Association for the Advancement of Science.
Lomax A. and Grauer V. (1968). The Cantometric coding book. In A. Lomax (ed.), Folk song style and culture (pp. 34-74). New Brunswick: American Association for the Advancement of Science.
Mantel N. (1967). The detection of disease clustering and a generalized regression approach. Cancer Research, 27, pp. 209-220.
Oppenheimer S. (2004) The "express train from Taiwan to Polynesia": On the congruence of proxy lines of evidence. World Archaeology, 36, pp. 591-600.
Stock J.P.J. (2006). Clues from our present peers? A response to Victor Grauer. The World of Music, 48, pp. 73-91.
Trejaut J.A., Kivisild T., Loo J.H., Lee C.L., et al. (2005). Traces of archaic mitochondrial lineages persist in Austronesian-speaking Formosan populations. PLoS Biology, 3, pp. 1362-1372.

 

Patrick Savage(1), Tom Rzeszutek(1), Victor Grauer(2), Ying-fen Wang(3), Jean Trejaut(4), Marie Lin(4), and Steven Brown(1)

(1) Department of Psychology, Neuroscience & Behaviour, McMaster University, Canada
(2) Independent scholar, Pittsburgh, USA
(3) Graduate Institute of Musicology, National Taiwan University, Taiwan
(4) Transfusion Medicine Laboratory, Mackay Memorial Hospital, Taiwan

Photo: Cathy Chuang


Tuesday, 15 March 2011 13:38

New Media in Anthropology and the Lau People


Pierre Maranda is a distinguished cultural anthropologist, and his academic career is renowned for its broad scope and the development of highly innovative research methods. His main innovation is concerning the structure of anthropology, which took root early in his career when he worked on the island of Malaita Province in the Solomon Islands with the native Lau aboriginal tribes. He combines the research methods of social and cultural anthropology, philosophy, literature, mathematics and other disciplines. In 1996 he was awarded the Molson Prize from the Canadian Council for the Arts. The panel of judges praised him as follows: "The international impact and recognition of his research are remarkable. Pierre Maranda is a talented professor and communicator whose lectures and publications have contributed to the dissemination and application of his research findings."

He has worked in various scientific journals and books, published over 150 papers, and participated in more than ten international conferences in Canada, the United States, Brazil, Australia, Britain, France, Sweden, Japan and other countries as well as holding seminars and special events and giving speeches. In 1998 he was granted L'Ordre des Palmes académiques in Paris.

In this interview Maranda introduces the website www.oceanie.org and how new media can be used to reform anthropology:

Alternative (for those readers in China)

In a second interview Maranda gives us an account of his anthropological work in Malaita in the Solomon Islands and his attempts to retain traditional institutions against a tide of fundamental evangelicanism and modernization, which was later chronicled in his documentary film:

Alternate (for those readers in China)

Below is a summary of Pierre Maranda's key-note speech to the "Mapping and Unmapping the Pacific" conference, held in Taipei in February 2011.

Pierre Maranda  - Key Note Speech (Abridged)

First, I want to congratulate the organizers of this conference for the formulation of its theme and its bearing. They are questioning current ideas about Oceania through a double inversion, actually a paradoxical title. A paradox is a statement contrary to commonly accepted ideas and that seems self-contradictory or absurd, but that may in reality express a possible truth. The first inversion consists of a statement, “mapping” and its inversion, “un-mapping”. The second resides in the contrast between “island” - here understood of course as the thousands of Oceanic islands - and the term “continent”.

Such a paradoxical approach is a most productive dialectical heuristics. Turning an idea upside down questions - which is disturbing - common assumptions. Indeed inversions compel one to work back and revise completely one’s thoughts and feelings on a given subject. Provocative, paradoxes are dialectical in that they trigger disputation or debate aiming at exploring differences between two opposite views so as to come up with a renewed, transcendent one. Accordingly paradoxical statements are heuristic because they lead to higher levels of knowledge. And that in turn, when one reflects on one’s mental processes, leads to what is currently called meta-cognition.

The theme of this conference echoes Epeli Hau’ofa’s important and most relevant essay A New Oceania: Rediscovering Our Sea of Islands. Like the title of this conference that of his essay is actually a paradox.

A quick reminder of who was Epeli Hau’ofa (he passed away in Janyary 2009) - http://savageminds.org/wp-content/image-upload/our-sea-of-islands-epeli-hauofa.pdf

In the words of our colleague Alex Golub of the department of anthropology, University of Hawai’i,

“Ethnically Tongan, born in Papua New Guinea, educated in Australia, and a naturalized citizen of Fiji, Hau’ofa’s life exemplifies the vibrant, diverse, and connected image of Oceania he promoted throughout his life. Those of us who study Papua New Guinea will remember him as an ethnographer of the Mekeo, but his influence expanded far beyond his ethnographic work — indeed, he is most often remembered as a novelist and author of short stories, and his humorous, satirical writings about the fictional but too-close-to-home Tikongs are widely read both in and out of the Pacific. […] In “Our Sea of Islands” Hau’ofa argued against the then-common (and still-common) presumption that Pacific Islanders lived in small, isolated, remote communities separated by a massive ocean. Instead, he argued that Pacific Islanders were connected by an ocean which facilitated movement and connection. Like all great ideas, it was an inversion of popular understandings that was so true and so timely that in retrospect it seems impossible to imagine how we lived without it (emphasis added). (http://savageminds.org/2010/11/01/anthropology-and-the-long-essay/).

However Hau’ofa did not touch on an important point. Indeed what would be the common language, the lingua franca of the “sea of islands”, what would be the continent’s idiom that would enable Oceanians, proud speakers of their native tongues, to communicate with each other? Pijin? English? And how about French Polynesia and New-Caledonia? A lingua franca to the detriment of mother tongues? Actually, as is already the case for instance in the Solomons, Pijin has become the mother tongue of young adults… Will consequently the so many different native languages be doomed? I would doubt it because so many Oceanians have been multilingual for generations in their numerous interactions with people of different ethnicities with whom they maintained trading and other relationships.

Keeping alive the irreducible diversity of native languages is a fundamental issue that must be addressed when considering remapping Oceania. One way to do it is to provide texts in native languages both for the population at large within a linguistic community and more specifically for use in schools. There is a great need in that respect and TSPS could contribute very significantly to meeting it so that whatever lingua franca predominates, it will not jeopardize the people rootings in their own cultures. Oceanians must remain firmly planted in their most fertile Pacific soil in order that their branching out does not entail losing their specific identities that warrant their survival instead of transforming them in pseudo Whites. Solomon Islanders have so often told me

Our guts ache, because we no longer know who we are. We know that we are not White people, we know that we are not sons and daughters of savages as they have called our fathers and forefathers. Christians tell us that our kastom is the work of the devil, that the stories we believe in are all wrong, but how about their own stories, their Bible? We too have stories about dead men resurrecting. But we know that it is no longer so. Is it not the same with their story about the resurrection of Jesus? We don’t know what or in whom to believe.

Years ago, I have witnessed pagan priests arguing with missionaries in Malaitan market places. They told them “David’s and Jesus’ genealogies are good for you, but we have our own genealogies that are good for us and we don’t ask you to learn them. Why should we learn your own genealogies? Then it says in your Gospel that if one has faith, one can move mountains. You have faith, no? Well look, there is a mountain right there, behind you: tell it to move and if it does then we’ll believe you”.

Oceanian identities are function of what is written in the Synopsis of this conference which

aims at identifying the ways of mapping the Pacific in time and space that have been developed by islanders, especially by Austronesian populations. Such "mapping" has taken place through migration roads, tales, songs and genealogies, as well as by astronomic or geographic charts and artistic renderings. Taking these representations both in their irreducible variety and as an organic whole may help a new generation of scholars to challenge the usual ways of looking at the Pacific world, thus enabling the inhabitants of this "oceanic continent" to enrich and develop the interactive process through which they understand their history and destiny.”

In Epeli Hau’ofa’s words(emphasis supplied),

if we look at the myths, legends and oral traditions, and the cosmologies of the peoples of Oceania, it will become evident that they did not conceive of their world in such microscopic proportions. Their universe comprised not only land surfaces, but the surrounding ocean as far as they could traverse and exploit it, the underworld with its fire-controlling and earth-shaking denizens, and the heavens above with their hierarchies of powerful gods and named stars and constellations that people could count on to guide their ways across the seas. Their world was anything but tiny. They thought big and recounted their deeds in epic proportions (Appendix 1, p. 7).

And the Synopsis voices a rejoinder to Hau’ofa’s statement under “Sacred Space-Times”: “Sacred elements in traveling and mapping, missionary routes and their rationale, conversions, new religions and the blurring of traditional religious mappings…”

The tack we have taken in CHEO (Cultural Hypermedia Encyclopedia of Oceania) to represent Oceania rests on the fact that there are major thoughts underlying language and actually structuring the ways their speakers use it, i.e., semantic syntaxes. As a dynamic substratum to different yet interconnected linguistic families such thoughts constitute a thesaurus of collective representations, i.e., ideas and feelings that shape worldviews, and that give people the conviction that they belong together. Some such major themes are universal and cut across linguistic families, others are culture-specific within linguistic families. According to the French semiotician and computer scientist François Rastier (1991, 1992) there are some 350 such major ideas - fundamental “keywords” - in Western societies : God, man, woman, sex, work, money, etc. Of course many other societies share all or some of those basic vectors of thoughts, feelings and behavior. Yet each society maintains identity vectors that enable its members to stand up and let other people know who they are. Here we fully endorse Fr Benoit Vermander’s (2005: 8) statement to the effect that

Though identities are mobile and changeable, they are still discrete entities, and the solutions to our common challenges will remain localized and different in substance. However, throughout the interpretative process these particular solutions will considerably vary from the ones suggested by the traditional understanding of one’s culture and identity, and the array of solutions devised form [sic] one’s culture or group to another will then be legitimately understood as a correlated set of attitudes, choices and decisions.

The “correlated sets of attitudes, choices and decisions”, networks of basic thoughts and feelings - “ontologies” in contemporary terminology -, depend on heavily loaded and deeply engrained culture-specific cognitive processes generating the fundamental “ideas” that structure ideologies. Expressed in cultural keywords as it were they “grip our guts”, Oceanians tell us. And such correlated sets form the ballast of societies, act as gyroscopes that maintain them on course in spite of difficult times that challenge their deep identities and ways of life. As both identities and ways of life must be reshaped without losing their groundings especially in times of crisis, we call those heavy and dynamic keywords “attractors” as I will explain below (Part 3). And, again in Fr Vermander’s words (p. 8),

In this perspective, all cultures, creeds and world-views are perpetually reshaped, and what defines them is never taken for granted but rather is being discovered and challenged throughout the process of exchange and interpretation. Thus, the core of our identity is never “behind” us, it is always “beyond”, it cannot be “essentialized”, it is rather “related to” the Other whose identity is similarly challenged and reshaped. At the same time, this ever-evolving reshaping of one’s culture, creeds and world-views does not lead to a confusion or a mix, it does define and sometimes sharpen one’s sense of belonging and core values (emphasis supplied).

Stimulated by the thought-provoking paradoxes of the title of this conference - powerful mental instruments to map and remap worldviews - are we now ready to take up rethinking and redefining the Pacific islands as Oceania? Perhaps we can try by moving beyond language, beyond native idioms and lingua franca, viz., to reach a level of collective representations that would remap and reshape Oceania. Is there a shared ontology that would “not lead to a confusion or a mix” but “sharpen one’s sense of belonging and core values”? Before showing CHEO’s approach to explore it I will briefly recall the importance of Taiwan as regards that endeavor.

 

 

 

 

 


Monday, 21 February 2011 15:24

Playing the drums of life

Ibau of the Paiwan tribe in Taiwan comes from Tuvasavasai (Qingshan), Pingtung. Field studies from her early research experiences have became important inspirations for her writing.

In 1999, Ibau started studying theatre performance. She practiced drumming, martial arts and meditation at Laoquan Mountain’s U-Theater in Muzha.


Sunday, 23 January 2011 15:21

A new world begins

“Where land ends, the world begins.”
This quotation sets the tone as we present our Focus on Taiwan in the Pacific, transcending land’s natural boundaries and turning our attention to the ocean, as we explore a world so unfamiliar to Taiwan. Most of the authors in our Focus are members of the newly established Taiwan Society for Pacific Studies, the creation of which is not inconsequential to Renlai. As the publication and website of the Taipei Ricci Institute, Renlai and eRenlai are key components of the research organisation originally set up by a group of foreign missionaries. Back then, these Jesuits were also navigating bravely beyond the boundaries of their own lands in Europe and America, to experience their own new world beginning.


Wednesday, 01 December 2010 00:00

Matteo Ricci, spiritual resources and partnership

At the conference "Dialogue among Civilizations and Global Challenges" held in Shanghai in 2010, friend of eRenlai and former managing director of the IMF, Michel Camdessus, provided the starting point for a discussion on intercultural dialogue,  inspired by Matteo Ricci and Xu Guangqi. He first gave a speech on the secret of Matteo Ricci:


 

Professor Choong Chee Pang from the Oxford Institute for Asian Society and Religion gave a response to Michel's wise words, particularly focusing on the importance of China's cultural and spiritual resources in contrast to the factors economic, political and military might that are usually focused on:


Tuesday, 30 November 2010 00:00

Transport innovation on Australia's Gold Coast... and not a surfboard in sight

Famed for its golden beaches and decent surf, the Gold Coast is one of Australia's most popular tourist destinations.  Located just north of Australia's most eastern point, it is now one of Australia's fastest growing and most dynamic cities.  While the Gold Coast's rapidly swelling population represents a challenge for the government to provide suitable infrastructure and services, it is also a fantastic opportunity for the Gold Coast authorities to lead Australia in sustainable development.
 

Anyone who has tried to drive through the middle of the Gold Coast, particularly during summer, will attest to how unsatisfying the traffic congestion can be. Successfully seizing this opportunity to reconceptualise transport on the Gold Coast will provide an example for the rest of the world as to how a city can ween itself from the toxic teet of the automobile.

Please watch Councillor Peter Young identify how the Gold Coast City Council is seeking to sensibly solve the area's transport conundrum.


Tuesday, 30 November 2010 00:00

Green growth in Copenhagen

 

Green Growth projects
Project: Sustainable energy in the North Harbour area
- The foundation stones for an entirely new city area
- Integrated energy system based on sustainable energy sources
- The city area will as a minimum become carbon neutral
- And in time exporter of sustainable energy
 

Project: Green Growth and Windmills
Wind energy is connected to the district heating system
Potential:
- 232,000 tonnes of carbon annually by 2015
- 650,000 tonnes annually by 2025
-The City of Copenhagen buys the electricity
- Possibility of investing in green electricity from the windmills

Project: Energy-systems for storing of sustainable energy
An integrated and flexible energy system providing sustainable energy from
- Windmills
- Photovoltaic
- Geo thermal energy plants

Unused energy may be stored:
- Car batteries
- Hydrogen
- Heat storages

Project: The world’s best bicycle city
37% of the Copenhageners use the bicycle as means of transportation. We wish this figure to rise to 50%.
Bicycle friendly infrastructure:
- More and broader bicycle tracks
- More green bicycle routes free from car traffic
- Green waves through traffic signals
- Improved bicycle parking possibilities

 

Project: Infrastructure for electric cars
- Sustainable energy for transport
- Charging stations for electric and hydrogen electric cars.

Intelligent meters:
- Access to use green energy during nights
- Payment for charging the carsProject: Climate-friendly renovation of own buildings

Renovation and energy friendly operation: Reducing the carbon emission by 50,000 tonnes
- All municipal buildings = 5% of the total volume of buildings 
- Efficient operation
- Serious savings on operating budgets

Massive investments in green urban development
- we test new green solutionsA business friendly city
- One point of contact for businesses:
- Smooth case proceedings
- Free counselling for entrepreneurs
- At good place to live:
- Room for both family and career
- Highly educated workforce
- Improves conditions for international workers

 
 
 

Saturday, 27 November 2010 16:34

Riga's revolution: other arenas of governance

Inete Ielite chaired Session 3: Other arenas of governance at the conference City Halls to Cancun Corridors: Navigating climate change from local to global. This session looked at the development of alternative and possible competitive forums of governance in the battle against climate change and environmental protection.


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