A review of the play 'Take Care'

by on Thursday, 07 July 2011 Comments

Directed by HSU YEN LING
Taipei Blooming production
Length: 1 hour and 30 minutes

‘Take Care’ is the first production of TAIPEI BLOOMING, a theatre group founded by Hsu Yen Ling last year. The show will be performed at Guling Avant Garde Theatre from July 1 to July 10 2011. The main question raised in this new production deals with abandoned and injured animals through the story of a lesbian couple; one is a veterinary surgeon, the other a teacher. Italso raises the question of the complexity of the relationships between human beings, between human beings and animals, and between animals.

Hsu Yen Ling, well known as an extra gifted performer, presents her fifth show as art director: “I tried to find a new way to write a script. Before, I was used to writing it first and then ask my actors to perform it. For this production, we started from improvisation and wrote the script together; talking about the issues we wanted to focus on, and cutting or rewriting some parts.” This collective work is based on the main characters’ lives: the vet, the teacher, the businessmanand the student. She aims to show their relation to their particular jobs and to one another, usingvery ordinary dialogue, classical stage design and everyday life costumes to stick to the reality she wants to portray.

“How can we take care of the other?” This is the underlying question in the story told by Hsu Yen ling. “I wanted to talk about the animal issue too. In the big cities, many abandoned cats and dogs can’t take care of themselves alone. We have to pay attention to them and take care of them.” This issue leads her to think about animal relationships more based on touch. “I also ask the actors to play the animals in order to focus more on the touching; work on the emotion, the movement and gesture. We often pay too much attention to the sight or the talk. But there are other senses we can use to have contact with the other and in Taiwan, few people touch each other; Taiwanese are not used to physical contact.“ For example, when we say "goodbye" in Taiwan, we never kiss the other on the cheek. In this show, the animals talk and could be seen as examples that the main characters could follow in their own life, they even advise their masters when they face difficult situations in everyday life and relationships.

To embody one of the animals, she asks Fa Tsai to join her production: Fa Tsai, a famous talented artist had already played with the most famous art directors in Taiwan and we can assure you that his performance in this show is excellent and very detailed. Hsu Yen ling, in her role as art director, works on every detail with her actors, even with the non-professional ones such as Liu Nien Yun. She used to be Hsu Yen ling’s producer in ‘Sister Trio’ and ‘A date’, two successful shows she presented a few years ago in Taiwan.

“When Yenling asked me to be her actress in ‘Take care’, I could not refuse it: I was reallyinterested in the topic and wanted to support her production. I’ve known her since I was in senior high school, before I began to study women’s working conditions at university: she was the teacher in our theatre club. I also wanted to try to be an actress even though I sometimes feel alittle scared. For me, it is difficult to act a relationship, but I really want to work more on theatre projects, because since I began working for the labor organization* I have not had much time for theatre.” Her role is to be the vet and take care of the injured animals and the people who bringthem to her office.

“When Yen Ling told me the story she wanted to write, I found a connection between my actual job and the character of the veterinary. In my job, I have to take care ofinjured laborers – women who used to work for RCA (Radio Corporation of America), an American electric company sold to Thompson, more than 20 years ago and who later got cancer.They have been fighting for 10 years to get compensation. Many questions come to my mindwhen I am tired: why do I want to be an organizer? My character has the same questioning andfeeling.” One may have seen Liu Nien Yun on TV, the morning the Legislative Yuan passed thebudget for Taiwan’s fourth nuclear power plant; she was one the persons thrown out by thethstpolicemen in front the Legislative Yuan. As an activist, she is involved in the anti-nuclear andlabor movements, yet, all the while she is deeply implicated in her work, listening to the harmedpersons and helping them as best she can.

So, if you want to know what lies behind ‘Take Care’, we recommend you have a look at the show, partly presented as a comedy...an ordinary life comedy we should say.

* Taiwan Association for Victims of Occupational Injuries, based in Taipei City. www.hurt.org.tw
(Photo courtesy of  D. Vandermolina)

Diane Vandermolina

Diane Vandermolina was born on the 12th February 1976, in Marseille, France. After her Master in Philosophy and Theatre studies, she worked with different theatre in Marseille as an art advisor (Theatre Gyptis, Cameleone Company...) and press relations (for the First African Movie Festival). She also publishes short stories in newspapers and has written theatre plays which will be staged next year in France and Taiwan. Living between Marseille and Taipei, she is very involved in the Taiwan art scene, writing on Taiwanese theatre, dance, movie and design arts - and trying to make them better known in France by creating the first Taiwanese Art Festival in France in 2013. She is currently the chief director of la 'Revue Marseillaise du Théâtre', a French cultural magazine she created in 2004, and the chief organiser of an annual festival in Marseille, les 'Theatralia', the first French theatre festival in a commercial centre. Passionate about photography, she takes pictures of shows for French theatre companies and as a professional journalist (French press card 106063). She specialises in art criticism, but also makes reports on various topics such as society, culture, arts and gastronomy, collaborating with different medias (French newspapers and radios such as 'L’Express', 'Cassandre', 'Marseille la Cité', 'l’Officiel des Loisirs', 'Radio Grenouille'...), teaching Cultural Journalism at the Journalist School of Marseille, EJCM, Aix Marseille University. She is also the general secretary of Marseille Provence Press Club, dedicated to journalists, and works as expert with Marseille City Hall and the French Ministry of Youth and Sports on cultural and theatrical projects.

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