Festival Awards TIDF 2010

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On 30th October 2010 the results of the awards for the Taiwan International Documentary Festival were released. The awards were divided into International Feature Length Competition, International Short Film Competition, Asia Vision Award and the Taiwan award. The jurors had been carefully watching the nominated films which had originally been selected from 1527 submissions received in 2010, to reduce them to the final 12 prize winners. The films were shown on the last day of the festival and will be shown at the Taipei Golden Horse Film Festival in November. The results for the 2010, 7th Taiwan International Documentary Festival Award Winnerare as follows:

International Feature Length Competition

Award

Title

Director

Grand Prize

In The Garden of Sounds

Switzerland

Nicola Bellucci

Merit Prize

Let the Wind Carry Me

Taiwan

Chiang Hsiu-chiung, Kwan Pun-leung

Merit Prize

War Don Don

Sierra Leone

Rebecca Richman Cohen

Jury’s Special Mention

The Woman with the 5 Elephants

Germany, Switzerland

Vadim Jendreyko

International Short Film Competition

Award

Title

Director

Grand Prize

Countryside 35x45

Russia

Evgeny Solomin

Merit Prize

Divine Pig

Netherlands

Hans Dortmans

Merit Prize

In Case of Loss of Pressure

Belgium

Sarah Moon Howe

 


Asia Vision Award

Award

Title

Director

Grand Prize

Passion

Mongolia

Byamba Sakhya

Merit Prize

Amin

Canada, Iran, South Korea

Shahin Parhami

Jury’s Special Mention

Iron Crows

South Korea

Bong-namPark

Taiwan Award

Award

Title

Director

Grand Prize

Hand in Hand (牽阮的手)

Yen Lan-chuan, Juang Yi-tzeng (顏蘭權、莊益增)

Special Jury Prize

Nimbus (帶水雲)

A-yao Huang (黃信堯)

Jury’s Special Mention

Avoiding Vision (是你嗎?)

Chen Yuan-chen (陳婉真)

Audience Choice Award

Award

Title

Director

Audience Choice International Award

 

I Shot My Love

Germany, Israel

Tomer Heymann

Audience Choice Taiwan Award

Let the Wind Carry Me

(乘著光影旅行)

Chiang Hsiu-chiung, Kwan Pun-leung

(姜秀瓊、關本良)

 

A fantastically immersive sensory experience and one which resonates long after it is viewed by the audience was Nicola Bellucci’s In The Garden of Sounds which won the Grand Prize for the International Feature Length Competition. This film sets itself apart from regular narrative treatments because we are allowed to enter the sensory world of both the main character and those children whom he transforms. The Merit Prize went to Taiwan’s Let the Wind Carry Me which opens up to be an inner portrait of an artist as a human being. The film displays great cinematic qualities and it seamlessly weaves itself into the life and work of one of the world’s great poetic cinematographers, Mark Lee. Director Chiang Hsiu-chiung especially brought her son up on stage when receiving the Merit Prize. Rebecca Richman Cohen’s War Don Don received the other Merit Prize for a film about a war crimes case following Sierra Leone’s civil war which displays the human tendency to judge and be self righteous with our media biased knowledge. Finally A Woman and 5 Elephants was given a jury’s special mention.

Evgeny Solomin who won the International Short Film Competition Grand Prize in 2002 for his film Katorga, won the award again this year with his film Countryside 35x45, full of unforgettable images captured in black and white. Heddy Honigman said of Countryside 35X45 that “the stories are as touching as the images we see”. The first of the two Merit Prizes was handed to Divine Pig, in which Hans Dortmans gives you all the beef (or should I say bacon?) regarding the irony of life choices, as he follows a butcher and his favourite pig…all the way to the slaughtering house. The other Merit Prize went to In Case of Loss of Pressure, where a Sarah Moon Howe who was close to breaking down, took up the camera, and filmed the struggles of her previous life as a stripper with a young boy suffering from symptomatic epilepsy. The film is a sincere response to real life difficulties.

The Grand Prize for the Asian Vision Award went to Byamba Sakhya’s Passion, an honest, touching and open film in which Sakhya gives us his vision of the present state of Mongolian cinema and its inheritance from the past. Shahin Parhami’s Amin won a Merit Prize for this film about lost origins, skilfully combining individual loneliness with the whole nation’s love of music, as it follows the fate of a dying music. Finally, director Bong-nam Park, who was one of the three foreign guests running the DOCumentary DOCtor workshop this year, received the Jury’s Special Mention for Iron Crows, whose lens displayed a silhouette of Asia in the globalizing world. Its close up observation of workers in a Bangladeshi ship destruction yard reveals the absurdity and ruthlessness of human civilization. These pieces were all charming and touching pieces of Asian cinema.

Yen Lan-chuan and Juang Yi-tseng previously won the Taiwan Award Grand Prize for their film The Last Rice Farmer (無米樂). They won it again this year with Hand in Hand (牽阮的手). Juror Wu Wenguang, an important Chinese documentarist said that this film told a moving, sad love story which was full of drama and emotional inspiration before bringing the audience to life with his clinical sense of humour. The Special Jury Award went toA-yao Huang’s Nimbus, which uses beautiful cinematography to show us the history of a Taiwanese landscape in transition. Chen Yuan-chen’s Avoiding Vision was given the Jury’s special mention.

Last but not least, in the Audience Choice Awards I Shot My Mother won the international prize and Let the Wind Carry Me the audience prize.

Article originally written with Shinie Wang for the Taiwan International Documentary Festival

Last modified on Friday, 18 April 2014 11:41
Nick Coulson (聶克)

I was born in sunny Torbay on the south western coast of England's green and pleasant lands. I'm prowling the streets, parks and ruins of Taiwan hunting for absurdities and studying the sociology of the underground. Furthermore with our nomadic arts and action space "The Hole" we attempt to challenge rigid and alienating structures.

出生於英國西南部,海邊的天堂為Torbay。目前在台灣的街上,公園,廢墟尋找世界之荒謬與世界之美,努力盡量在各方面跳脫框框。透過我們的游牧空間「洞」我們不斷地用藝術與行動來挑戰早已僵化的體制。

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