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Erenlai - Displaying items by tag: drawing
Tuesday, 27 March 2012 14:29

Returning from Abroad

The artists in this section have all been inspired in their work by travels or study abroad. Tpcat spent several years in England, where she started to re-evaluate the role of religion in society and gained an insight into the cultural divide between 'East' and 'West'. Iron tells of his return to Taiwan after a sustained period abroad, and how some of his manga is based on the Taiwanese ex-pat community in Shanghai. LI Lung-Chieh describes how a trip to cambodia gave him a new perspective on the different problems people face, those that are more basic 'animal' problems, like feeding oneself and surviving and the more 'human' problems, like creative freedom, self-expression and the pursuit of happiness, all of which inspired his manga RoachGirl.

“For me, comic books are the best tool for telling stories”

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Tpcat is very passionate about drawing and comic books. Her specialty is depicting all sorts of small furry animals. She studied graphic design in a Taiwanese university, before getting a Masters in illustration from Kingston University in England. In order to make a living, she spent the next two years showing her work in different comic book Expos around England; she also had a stand in the Brick Lane market where she sold her comic books. Tpcat’s style is completely different from that of other members of the new generation of Taiwanese authors. She doesn’t follow the Japanese ACG (animation-comic-game) style, but rather takes her inspiration from England, with a style rich in details. Whilst her illustrations are certainly very cutesy, the content is much deeper than most of the other comic books that are popular nowadays. Tpcat is a specialized author swimming against the tide.

Readers in Mainland China can watch here

“The intrinsic purpose of comics is to tell stories. I believe it is our duty to draw comics and tell stories to each other. It is a simple reciprocated duty between individuals. If I still had faith in anything in this life, it would be in this.”

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Iron, whose real name is CHO Yi-pin, was born in Taizhong, in the centre of Taiwan. He graduated from the design institute of the National Science and Technology University of Taiwan. His talent was revealed in 1995, when he won the Gold prize in a comic contest organized by China Times newspaper. In 1998 he started to publish his comic book series Nezha in the magazine Dragon Youth. Nezha has also been compiled into a book. This comic, halfway between a mysterious world and a dark style of drawing, is a perfect example of Iron’s creative style. In the last two years, Iron has participated in the publication of the TX (Taiwan Comix) compilation, which showcases a new creative style, free and independent. Iron currently lives in Shanghai.

Readers in Mainland China can watch here

“ I believe that one day, thanks to comic books, even bald people will be beautiful.”

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LI Lung-Chieh is a discrete, mysterious and melancholy illustrator. He graduated from the department of interior architecture of Shih Chien University. In 1998 he won the award for the best first creation from the Ching Win comic books contest, thanks to his story The white gun. In the next few years, he won in the Ching Win contest again in addition to the Dong Li contest which he won in its third, twelfth, thirteenth and fourteenth editions., after which he started publishing his short comics. His first individual work, Roachgirl (the cockroach woman), was edited after he won the first prize from the GIO in 2008. In 2010, he self-published Animal Impact, which was chosen for the Golden Comc Awards in the category of youth comics, and then participated in 2011 in the International Comic Book Competition of Algeria.

Readers in Mainland China can watch here


Friday, 16 March 2012 12:40

Tradition versus Modernity

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Taiwan's culture draws on many different sources, stemming from traditions from the different parts and ethnic identities of China, the Pacific and its Austronesian peoples as well as its colonial legacy from Spain, Portugal and Japan. These traditions in the 21st Century engage in dialogue with the globalized world and The artists in this section

 

“If comic books didn’t exist, I would have been dead by primary school…dead of boredom.”

CHIU Row-Long was born in 1965. Due to all the small nudges received and encouraged by having both a father and a grandfather who were illustrators, his younger brother and him both grew up to be comic artists. CHIU Row-Long excels in the realist style of design and writing, and is particularly inspired by the history and culture of the Taiwanese aborigines (his wife is a member of the Seediq tribe). He has participated in the creation of numerous aborigine language educational textbooks. He spent several years conducting research and compiling all sorts of documents relative to the revolt by 300 Seediq aborigines against the Japanese colonialists. This revolt is the most heroic, albeit tragic, that has occurred in the modern history of Taiwan.

 

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“I always wanted to explain the world, and comic books are the tools heaven has given me to do so!”

James HUANG was born in Taipei in 1966. After completing his studies, he started working in animation. In 1987, he published his first, 16-page long comic book, The Blue Side, in the journal Huanle (Joy), under the penname Red Army. His humour is famous for being very sharp. For the next few years he published a few more books until 1996, when he edited a long comic book, The Little Boy Kui-hsing, before diving into the world of animation and video games. In 2003, he was recruited by the biggest Taiwanese online gaming company, Gamania, where he worked in the department of design and the creative centre. Through Gamania, he participated in the creation of the animation film “108 heroes”, which was broadcast on an American animation channel.

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