Erenlai - 按標籤顯示項目: renlai cd
週一, 01 八月 2011 16:21

聲動樂團:顛覆傳統

在聲動樂團的音樂中,傳統台灣, 中國,以及鄰近亞洲音樂形式都融合在新的原創歌曲作品裡。樂器像是中國的二胡, 中阮,加上世界各國的打擊樂器,融合主唱謝韻雅卓越的的歌聲和舞蹈,讓聽眾踏上一個陶然忘我的旅程。
該團體用強烈的熱情去呈現有關於在當代聲音中傳統樂器的用途,他們的作法是要整體結合藝術,精神, 社會意識,以及在創作過程中對人類整體的博愛發揮關鍵作用。


週二, 18 十月 2011 00:00

Jam Apotheosis

After producing the CD of contemporary world music, eRenlai magazine facilitated three concerts with the participating artists in the compilation. A dozen or so different bands performed their music live to the joy of the audience. For this third and final performance, on September 16, the Tien Educational Center opened its doors to world music for the second time, and it was fitting surroundings, with sound system and lights ready to create an unforgettable night.

Viba and Claire Juan (Photo: C. Tuduri)

From the outset we were embraced by the presence of Viba, previously introduced to me as Paul, I didn’t recognize him and thought he was part of Orbit Folks since we were all on stage doing the sound setup before the concert. It was then I realized that the night was going to blend of different musical styles until the lights went out.

Viba presented his chillout-electronic-world beat on stage with singer Claire Juan. Doing this live requires a lot of talent and knowledge since Viba has a daunting setup of synthesizers, drum machines and one computer. A one-man band triggering crazy ambient samples and loops of smooth rhythms, more than appropriate to open the evening.

Orbit Folks were next on stage, with Martijn Vanbuel (double bass), Toshihiro Wakaike (Indian tabla) and Mike Zeng (piano) combining elements of jazz and tabla to bring us some outer space rhythms. There was an interesting contrast between the Folks and Viba, since their ensemble is completely acoustic whereas Viba is mostly electronic. The band's performance was impressive, all of their members have a strong musical background that was gently delivered to the audience. As in any other jazz concert they included a lot of improvisation showing their mastery of the instruments and preparing the ground for the next band. They played some of their songs like Anouar, Santur and Serenade composed by Martijn Vanbuel and Caravan (by Juan Tizol, arr. by Martijn Vanbuel) and Rahu (by Toshihiro Wakaike, arr. by Martijn).

Comprised of Louis Goldford (soprano sax) Lio Pinard (accordion), Martijn Vanbuel (piano), Kelvin Chuang (bass) and Weichung Lin (drums), Flâneur Daguerre were the next surprise, further raising the excitement in the same hall that once held Taiwan’s first absurdist theatre troupe. Their performance developed finely. I felt like there were fireworks shooting from the stage. The immersion of their music in complexity enabled the band to grab the attention of the audience at all moments. I would love to see this band again; in fact as I write this paragraph I am listening to the track Harvest Drums included in the CD.

The next performance was from Minkoku Hyakunen (Yingfan Huang and You-Sheng Zhang). These guys come from the school of noise and improvisation. They use sounds of all sorts as their source, in stark contrast to the previous bands' use of musical notes. Minkoku's highlight is their stage performance, full of gestures and symbols that are close to a theatrical set and bursting with interesting atmosphere. Their instruments come from temples, such as bells and cymbals in addition to other sound objects. The audience clearly expressed their gratitude at the end of their performance.

Up next was Fao, playing his "Mamba in Solitude" including sampled Chinese flutes, guqin (古琴), Indian tabla and electronic sounds permeating through the crowds. Fao is a Colombian composer searching for new sounds in Asia. We thoroughly enjoyed his piece since it is a mixture of Latin rhythms (such as cumbia) with Chinese instruments around an Amazonian ritual.

To close the night Fao, Louis Goldford and myself quickly schemed together a few guidelines to improvise on for the grand finale with the rest of the participating musicians. On stage we had tabla, two saxophones, guitar, electronics, piano, drums, double bass and more. This was the first time we had played together and it erupted into an explosion of excitement rippling through the whole theater, the perfect was to close this celebration of the meeting of cultures and music.

Overall the CD and the concerts were a success and this was an admirable gesture from Renlai to provide the infrastructure and vision to put this idea together and hopefully provide the building blocks for future world music development in Taiwan. I just hope this is not the last time it happens. Thanks to all the musicians who participated in the CD. And thanks too to the enthusiastic public who embraced this mixture of music.

Renlai Concert #3 - Part 1

Renlai Concert #3 - Part 2

Videos filmed and edited by Pinti Zheng


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Photos courtesy of Paul Moysan

 

 


週二, 02 八月 2011 14:53

Listen to The Moment: Minkoku Hyakunen

You-sheng Zhang and Da-wang Huang met each other in 2010. Both of them had their own noise sound works circulating among their friends and on the internet. They got tired of most political news, especially those about so-called “100-year-old ROC”, so they decided to organize a duo and to disband it after this year (2011 is the hundred year of ROC). 百年, pronounced in Japanese “Minkoku Hyakunen”, doesn’t talk about politics but performs with some ideas of politics. No stable tempo and pleasant melody, only fools playing fool noise.


週一, 01 八月 2011 21:43

Tracking the Origin of Music with the Orbit Folks

Orbit Folks is a Taiwan based international creative music project that brings together people from different nationalities and different musical backgrounds. Lead by Belgian double-bassist and composer Martijn Vanbuel they experiment with combining jazz, folk, classical, world and improvisation. Orbit Folks has put out their first album “The Missing Link”, which was nominated in 5 categories and 2 awards for the Golden Melody Awards in 2011. The album features the live band, consisting of violin, piano, double bass and table, as well as special guest from Taiwan, Italy and Ukraine.

週一, 01 八月 2011 16:57

Usi AJ: From the Ganges to the Pacific Coast of Taiwan

Usi AJ has apparently been called "The biggest protogenesis fusion artist" (We're not so sure what that means either). He says that he got familiar with traditional Indian sitar music and World Fusion Music when he accidentally bought the wrong CD, and so it was by this random chance that he immersed himself into the research and development of Asian music. He hopes to continue the legacy of Taiwan's Kebalan tribe's culture and music. In order that people can get in touch with his music, Usi AJ assembled many Taiwanese musicians to form "Siyu Sitar", and through continued creative projects and performances, he hopes that everyone can come to a deeper understanding of the charm of Asian culture.

 


週一, 01 八月 2011 15:04

A Moving Sound: A Different Approach to The Tradition

In A Moving Sound’s music traditional Taiwanese, Chinese and neighboring Asian music forms are fused in new original song compositions. Instruments such as the Chinese erhu , the zhong ruan (Chinese guitar), an assortment of western instruments, and the transcendent vocals and dance of lead singer Mia Hsieh, transport listeners on a journey. The group is intensely passionate about how it presents the use of traditional instruments in its contemporary sound. Their approach is to be holistic – combining art, spirituality, social awareness, and a universal love of humanity play key roles in the creative process.


週五, 26 八月 2011 00:00

Viba Brings 80's Sound to World Music

Photo courtesy of Craig Ferguson

Viba hails from London but is a long-term resident of Taipei. Original inspiration stemmed from the Human League, Depeche Mode and other synth bands of the 80s, which led to the formation of several bands based around an array of Roland synthersizers.

Viba left the UK in 93 to become a resident DJ in Taipei and was at least partly responsible for bringing many of the house techno tunes of the London underground at the time to these shores. Viba started writing material again in the early naughties and has had numerous commercial releases since 2006; most notably, the solo album, East-West Relations, which clearly showed influences of more than a decade in Taiwan.

The most recent two years has seen the formation of ElectroFunk band Space Funk and work on several projects for film and video. However, 2011 has seen the return of much more solo material from one of the most prominent electronica artists on the island.

Interview by C. Phiv, edited and subtitled by Lisa Lo.

Viba's Music

 


Viba participates in the in the 2011 Renlai World Music Compilation, he'll perform in Taipei on September 16th, more info here.

 

 

 

 


週五, 08 七月 2011 17:07

Ka Dao Yin: The Flowing Improvisation

Pronounced "Ka-Dao-Yin"(卡到音), the group's Chinese name represents the sound characters of "to be caught up in", which indicates that the co-existed danger and unexpected threat-turned-excitement is lurking throughout the whole music making process when it's exclusively improvised. With Shih-Yang Lee on piano, Chih-Po Yang on Sheng, Jun-De Liu on Guzheng, and Klaus Bru on Saxophones, the avant-garde sound experiment is tinged by the delicate charm of oriental ethnic, formulated with the western classical music's deliberation, and geared towards radical jazz-rock like motion, and intentionally, together all these elements are manipulated by these four Cats to urge a fused new style of music derive that is challenging to define.

Lee Shih-Yang - Piano
Klaus Bru - C Melody Saxophone, Soprano Saxophone
Liu Chun-De - Guzheng
Yang Chih-Po - Sheng

Ka Dao Yin's website


Ka Dao Yin participates in the in the 2011 Renlai World Music Compilation, they'll perform in Taipei on July 9th, more info here.

Watch the band perform at the Zhongshan Hall in Taipei (2009)


週二, 28 六月 2011 17:58

Flâneur Daguerre: An Alternative to Modern Jazz

Formed in June 2009, the group brings together some of the island's finest improvisers from diverse musical backgrounds, both foreign and Taiwanese. Flâneur Daguerre was founded on the belief that modern music, especially that which is so-called "avant-garde," can be enjoyed and accessed by the same audiences that find comfort in today's mainstream pop. The band explores free jazz, Eastern European and Balkan music, but they often subject pop and rock + roll forms to the improvising methods of jazz and Indian musicians.

週三, 22 六月 2011 15:37

At the Confluence of World Music

Meet Fao, one of the instigators of the Renlai World Music Compilation released in July 2011 with the issue #84 of the magazine.

I hail from Bogotá, Colombia and have been living in Taipei for two years now. I compose music in which I like to use contemporary elements, electronic generated sounds and traditional music from South America and Asia.

After teaching sound engineering in Colombia, I was able to save enough money to fulfill my goal to travel and learn traditional instruments from other parts of the world. I went first to Japan, where I did several collaborations with contemporary noise musicians and also got initiated to traditional Japanese music. Then I moved on to India to learn classical Indian tabla music, before finally arriving in Taiwan where I practice the guqin and Taichi.


週三, 22 六月 2011 13:38

A Journey in Music: Contemporary World Music in Taiwan

Dear friends,

We are very proud to finally present you with a CD that can be seen as a milestone in the production of world music in Taiwan. This collection of 12 songs is a wonderful, euphonic sample of the creativity and hard work of the bands and musicians who stepped forward to be a part of the project. We congratulate and give great thanks to all the gifted participating musicians.


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